bEATRICE
LIMONTI
VIOLINIST
Beatrice is an award-winning violinist specialising in Classical, Pop and Jazz music.
She has more than ten years of orchestral experience both in the symphonic and chamber music fields as a Konzertmeister and basic member of the orchestra and she is violinist in chamber music ensembles.
Beatrice studied with various maestros and She refined her technique by attending more than 50 masterclasses, over 13 years, in violin, music arrangement, chamber and ensemble music in Italy, United Kingdom, Albania, Spain, Austria, Malta and France. She’s proud to be a part of the illustrious Orchestra Erasmus+ under the guidance of Maestro Elio Orciuolo, where she has expanded her musical horizons. From 2018 She is an active member of Erasmus+ Orchestra and from 2021 of LCO London City Orchestra.
She has collaborated with international artists like Richard Galliano, Stefan Milenkovich and the conductor of Northern Ballet and the Royal Philharmonic Orchestra Philip Keller.
Her passion for diverse genres like classical, jazz and popular music on the violin allows her to bring a unique and dynamic perspective to her performances.
She is also a multi-instrumentalist playing piano, keyboard and vocals. Beatrice considers herself to be a violinist without musical barriers.
Beatrice is excited to collaborate with fellow music enthusiasts and contribute to the world of music in meaningful ways.
Beatrice recently recorded at Abbey Road Studios as violin soloist for singer Ryta Ray’s new album, due out in 2024.
Where does your cognitive concept linked to your musical and stylistic concert evolve from?
My reasoning behind the performance arises from the fact that I take into account the style of the individual composer. I respect the historical period and what the composer wants to communicate to the public. If we talk about interpretation instead, my modus operandi is a little more experimental.
What does music represent for you?
Music is a necessity of the soul, it gives me rapture and not reasoning. Behind the shape of the notes I usually find infinity, and I am convinced that infinity cannot be explained simply with words. So for me music is a different and inexplicable way of communicating. My performances are greatly influenced by my sensitivity and that of the accompanist, with whom a profound dialogue is created.
Why and when did you start this beautiful musical activity?
I started this journey at the tender age of 3 studying piano with my aunt Maria, a professional musician. The passion for the violin was born almost as a game. My father jealously guarded a violin given to him by my grandfather in the showcase at home, and I always went to play it. One evening, while we were listening to “Europa” by Carlos Santana, I took that violin and started playing the melody on the D string by ear. From that episode my parents understood how much I was attracted to this four-stringed instrument, and so I started my first private lessons. Later they discovered that I have perfect pitch and so I began my professional studies at the conservatory.
From “Perle di Calabria” interview – Gazzetta Italo-moldova by Giuseppe Arnò – https://www.gazzettaitalomoldova.md/perle-di-calabria-interviste/
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